ALL IS LOST : Strawberry Blond

The Blackrock produced greatest blockbuster of all time says it all; once you go black, you can't go back. Consider it upward mobility, moving from the smaller consciousness of daylight to the unlimited time of space itself, which is a hyphenate – space-time – and probably lasts forever.

And so Hollywood lays to rest America's greatest little post-Audie-Murphy star before Tom Cruise, reminding the world the life is a struggle against the never-ending elements that signify death when a slightly better ship pulls you from the drowning darkness of a ring a fire set ablaze on the endless ocean, you should know that ship is probably Tom Cruise.

Since the cancerous disaster of Fukushima began infecting the world in 2011, Sylvester Stallone has valiantly dealt with the evils of nuclear trade: so has, of course, Jean Claude Van Damme and Bruce Willis – who did it twice – making Arnold Szwarzenegger's contribution a work in progress. The last Batman attacked the Nuclear industry as rogue and fruitless and at least one of the great Mexican directors made clear that the world-consuming leviathan was leaking from the Pacific and needed a nuclear anti-dote.

Well no one splits the atom finer than old strawberry blond: Robert Redford – not even Stan Lee who oversaw Marvel's concentration on the nuclear holocaust with the billion-dollar Avengers – not even Shane Black who visited the nuclear-powered potential of cancer as a charming introduction to special hell for the crime of destroying the planet Earth.

This feature length presentation of America's greatest example of the ultimate loner shows that a floating piece of diggable planet can quickly turn the greatest maritime power the world can remember into a starving and delusional suicidal maniac that dies dreaming of meeting a slightly better navigator of space-time to complete his upward mobility instead of abandoning the world to test the tides of time and the jet-black Tom Cruise.

So the Sundance Kid should orient East Eastern Asian world powers to save the world before it goes down the drain thanks to this – the greatest blockbuster ever.

So let us remember the director who followed the Strawberry Sun.

He separates the world into the dying and the dead.